Thursday, December 13, 2012

On Christmas Trees, Gentlemen of the Road, & the Belfast City Council


This past week I succumbed to my yearly bout with a cold/sinus infection. I don’t know why every year I think I escape it and every year, just behind everyone else, here it comes—WHAM!—like a wrecking ball to the head. This one was particularly awful and had me practically bed-ridden for all of Monday. (Honestly, though, who doesn't want to spend their Monday in bed? I just wish it had been on my terms.)

Anyway, I spent the day on the couch in front of the Christmas tree and between naps, bowls of chicken soup, and Sudafed doses I had plenty of time to contemplate one of our more bizarre holiday customs. I mean really, why do we celebrate our Savior’s birth by chopping down a perfectly happy Fraser fir, carting it inside, festooning it with tiny lights (only half of which seem to work at a given time), and bedecking the be-jeebers out of it with ornaments? Who decided this was a great way to mark the start of the salvation story? Sure, there’s something about an ancient German tradition, but then you have to start answering questions about pagan celebrations and the winter solstice and that’s just not where we’re going right now. (Yes, I’m also aware that subjecting my ill sinuses pine pollen was probably not the most holistically healing idea, but the house is full of it anyway and that beautiful tree makes me happy so lay off.)

Back to contemplating the Christmas tree. Why do we chop down a perfectly happy tree and subject it to all the aforementioned finery in the name of the Savior’s birth? Because, without the Christmas tree, we wouldn't have anywhere to hang the Christmas ornaments! Duh!

*sigh*

“Lynnea,” you say, “that’s just restating the problem. It’s still bizarre.” Maybe, but think of it this way; it’s not really about the tree, it’s about the ornaments.

I don’t know what your ornaments are like, but the ones in my house are more bizarre than the tree. There’s the miniature roller skate that belongs to my mother, my father’s collection of Frank Lloyd Wright designs, and my small cowboy boot painted with the Texas flag complete with the lettering “San Antonio 2012!” There are sailboats, tiny anchors, and even a starfish. A real starfish with his friends, two real sand dollars. The winner, though, is the tiny Teddy bear dressed up in a witch’s outfit that has a sign that says “Happy Halloween!” This is very specifically a Christmas ornament, and not a Halloween decoration, because despite the fact that it’s wildly inappropriate it is a testament to my Grandma Finley. She loved Halloween. She loved the kids and the costumes and the candy and the fact that our whole neighborhood just had one big trick-or-treat party. She even hoped to come back after her death reincarnated as a Jack-o-Lantern. (I tried to explain to her that Christians in general and Southern Baptists in particular don’t believe in reincarnation, but that didn't matter.) So the Halloween bear on the Christmas tree is really more a witness to her love and passion and joie de vivre than it is evidence of a theologically confused family, and really isn't THAT what Christmas is all about? Celebrating the joie de vivre?

Speaking of a zest for life, that brings us to the Gentlemen of the Road. This past August I had the incredible opportunity to go to the all-day outdoor music festival in the lovely city (cities? It has a slight split personality thing going on) of Bristol, TN/VA. (Not its fault it was built on two states.) For a good twelve hours, my friends and I wandered around both sides of State St. listening to some fabulous music, eating great local food, imbibing (responsibly!) of local brews, and generally milking our $70 passport tickets for every penny they were worth. I say we won.

It’s only this week, as their live compilation album came out, that I’m really remembering the most amazing part of that experience. Sure, seeing nine fabulous bands including Dawes and Mumford & Sons was pretty awesome, but the most incredible part was the people. Holy gracious, but there were people. So many people! A wall to wall, elbow to elbow, standing-room-only, don’t-sit-down-you’ll-get-squished amount of people.

And talk about a cultural anthropologist’s dream. It was almost worth the $70 ticket just to people watch.  You had your hipsters in their skinny jeans, button-downs, and black-rimmed glasses; your preps in their chinos and seersucker; your mountain-men types in their head-to-heel Carhartts; your dance-to-every-song types wearing bells and bangles and twirling hula hoops; your average-run-of-the-mill festival goers (yours truly); your teenagers trying to fit into every category at once; your pot-heads with their…pot; your wanna-be trust-fund hippies in their designer tie-dye; and your real-deal hippies in their matted dreads and coveralls (including the most dead-on Jerry Garcia Doppelganger I have ever seen!) Thousands of people from every walk of life, but the really incredible thing about this mish-mashed seething melting pot of humanity was the commonality despite the differences. The underlying theme for everyone’s day was the music. It really was all about the music.

Hearing the live recordings months later I remember standing in the midst of that teeming crush of people while we all sang along with the music. All shapes, all styles, all colors, all sizes, all ages, all backgrounds, all singing along at the top of our lungs to the same lyrics to the same songs in the same place at the same time. I can hear it in the crowd when Dawes launches into “A Little Bit of Everything” and I know it was there because I’m in that crowd screaming that song in that place; my voice is in that mass of noise and I can feel it: it’s the joie de vivre

Which gets us to the Belfast City Council. It’s not really the City Council in particular, and it’s not even Belfast and the rest of Northern Ireland, but it’s everything they work for and represent. My Norn Iron family has been on my heart and mind of late, more so than usual due to all the recent broo-ha-ha over a recent decision regarding the flying of the Union Jack at Belfast City Hall. I thought about trying to explain this situation but then realized there was no way I could do so in under 2,000 words and even then there would be no justice done and you’d probably just be more confused, so if you want more info check out this link from the BBC: http://www.bbc.co.uk/news/uk-northern-ireland-20651163. Let’s just say it’s nasty and violent. Dropping myself on the 50-yard line of Neyland Stadium in the middle of the Vol’s homecoming decked out in Gator gear would get less hostility than the Belfast flag decision. Suffice to say that the division there makes our little “fiscal cliff” issue look like a Kindergartener’s playground scuffle.  

Northern Ireland is no stranger to division, it is no stranger to violence, and it is no stranger to blatant sectarianism. But it is also no stranger to art, beauty, history, music, culture, dance, happiness, life, and vitality. It’s just that these great things have a tendency to get overshadowed by the nasty crap. The violent protests get the publicity while the prayer meetings go undocumented.

I was thinking that what Northern Ireland really needs is the multi-faceted, multi-cultural, multi-generational joie de vivre of a summer concert festival where everyone is united by a common bond of awaking souls. But then I realized that it’s not just the Belfast City Council and Northern Ireland and its flag debate. It’s Chicago and its gang wars. It’s Los Angeles and its race relations. It’s Phoenix and its immigration policies. It’s New York City and its wage discrepancy. It’s North and South Korea, it’s the Sudan, it’s the Middle East, it’s the world. We all need more summer concert, Gentlemen of the Road joie de vivre.

And that’s what’s up with the Christmas tree. Bizarre tradition though it is, it’s not really about the tree; it’s about what the tree represents. It represents families with mixed up holidays full of love and laughter. It represents faith and hope. It represents a parade of time marching out over hundreds of ornaments that all point to one central message: joie de vivre. Life to the full. And isn't THAT was Christmas is all about?

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